Silent film and live performance workshop

The AHRC-funded Research Network The Sounds of Early Cinema in Britain has announced a ‘Silent Film and Live Performance’ workshop, to take place at Royal Holloway, University of London, Egham on 27 October 2010.

The workshop will feature:

  • a morning masterclass for students with silent film pianist Neil Brand (for which funding available: see below)
  • an afternoon Research Network workshop to include (1) early cinema session featuring silent film pianist Stephen Horne: exploration of some published accompaniment systems; of ‘film funning’ when accompanying with popular songs; and of ‘voices behind the screen’; (2) early narrative cinema session in which one film will be approached from a variety of perspectives, including the use of live tonal accompaniment (Neil Brand); contemporary laptop mixing; reconstruction of part of original score; reconstruction of original live prologue.
  • an evening screening of Comin’ thro’ the Rye (Cecil Hepworth, 1923), with live accompaniment by Neil Brand.

To apply to participate in the silent film accompaniment master class with Neil Brand, please state your name, university/college affiliation, address, email address, and include a 300-word statement outlining relevant experience and how participating will enhance your music studies or research. Preference will be given to instrumentalists willing to play live, but we will also consider participants who submit a recorded accompaniment. Successful applicants will be supplied with a short section of film to prepare in advance. Email to Dr. Julie Brown (Julie.Brown [at] rhul.ac.uk) by 5pm, Friday 24 September 2010.

At least two RMA Scholarships (towards travel to, and up to 2 nights’ accommodation in, Egham) are available to facilitate a student’s attendance and participation in the master class, or participation in the day as observer. To apply, please state your name, university affiliation, address, email address, estimated cost of travel and whether you will need accommodation, and include a 300-word statement outlining how participating in the day will enhance your music studies or research. If you have applied to participate in the master class, simply state clearly that you would also like to be considered for a scholarship. Email to Dr. Julie Brown (Julie.Brown [at] rhul.ac.uk) by 5pm, Friday 24 September 2010.