Far, far away

Further information has been made about about Stummfilmmusiktage, the German festival of silent film and music, which takes place in the Markgrafentheater, Erlangen, 24-27 January. This email has just been sent out by the festival:

Dear friends of the silent screen,

It’s been a while since you heard from us, but the 2008 programme of StummFilmMusikTage Erlangen is finally rock solid and pre-sale tickets are available (please note: If you are considering acquiring tickets from outside Germany, please write to asynchron@stummfilmmusiktage.de and we will help you reserve the tickets you want). Our main theme for the 2008 festival will be Far, Far Away with films focussing on the rich silent film heritage of Asia, but also on Western conceptions of Asia and the exotic.

Please note that there have been a few changes in our programme since we first published it in October. This year’s films will take you to the South Seas, Japan, Mongolia, Siam, India, Chinatown L.A., the Limehouse district in London, and… to the moon.

The programme now goes like this:

Thursday, January 24, 2008

7 p.m.
Vernissage
Japanese Film Actresses in Silent Era

in cooperation with The National Film Center, Tokyo

Introduction: Mariann Lewinsky
Autor of the book Die verrückte Seite

Venue: SiemensForum Erlangen
Werner-von-Siemens-Str. 50

20:30 p.m.
What Made Her Do It? (Nani ga kanojo o sô saseta ka)
Japan 1930, 83 min
directed by: Shigeyoshi Suzuki
score: Günter Buchwald
performed by: Erlanger Musikinstitut

Venue: Vortragssaal der Siemens AG
Werner-von-Siemens-Str. 50

Friday, January 25, 2008

6 p.m.
Introduction: Storm Over Asia
with Nina Goslar (ZDF/ARTE), Bernd Schultheis (composer), Vera Zvetajeva (Cine-Club, Vladimir)

7 p.m.
Storm Over Asia (Potomok Chengiskhan)
Soviet Union 1925, 130 min
directed by: Wsewolod Pudowkin
score (world premiere): Bernd Schultheis
performed by: Ensemble Kontraste
conductor: Frank Strobel

coporoduction with
ZDF/ARTE and Ensemble Kontraste

9 p.m.
Introduction: Silent Film in Japan
Günter Buchwald

10 p.m.
Express 300 Miles (Tokkyu Sanbyaku Ri)
Japan 1929, 84 min
directed by: Genjiro Saegusa
score and performance: Günter Buchwald

Saturday, January 26, 2008

4 p.m.
Georges Méliès Short Film Programme
France 1896-1911, 60 min
directed by: Georges Méliès
score and performance:
Yogo Pausch

6 p.m.
Introduction Tabu: film and score
Violeta Dinescu (composer)

7 p.m.
Tabu
USA 1925, 84 min
directed by: F.W. Murnau
score: Violeta Dinescu
performed by: Ensemble Kontraste
conductor: Frank Strobel

9 p.m.
Merian C. Cooper – Life as Adventure
A conversation with Kevin Brownlow

10 p.m.
Chang
USA 1927, 69 min
directed by: Merian C. Cooper
score and performance:
Hildegard Pohl (piano), Yogo Pausch (percussion)

Sunday, January 27, 2008

11 p.m.
The Light of Asia
India/D 1925, 97 min
directed by: Franz Osten
score and performance: Om Prakash Pandey (Tabla), Henning Kirmse (Sitar)

13 p.m.
Slapstick-Lunch
Enjoy a delicious three-course Asian lunch. We’ll serve slapstick highlights on the side.
A reduced combi ticket for the screening of The Light of Asia and the three-course lunch is available.

4 p.m.
The Cameraman
USA 1925, 75 min
directed by: Buster Keaton
score and performance: Helmut Nieberle Quartet

6 p.m.
Anna May Wong
A reading by actors Heike Thiem-Schneider and Thomas Lang

7 p.m.
Piccadilly
GB 1928, 110 min
directed by: E.A. Dupont
Score: Frieder Egri, Roman Rothen
performed by: Frieder Egri & Ensemble

I like the idea of a slapstick lunch. Presumably custard pies for dessert. Further details as always from the festival web site.

50,000 and counting

After eleven months of posting to the day, the Bioscope has just chalked up 50,000 views. It took five months to reach the first 10,000, so clearly we’ve been on quite an upward curve recently. According to Technorati, the Bioscope is at number 224,227 in its list of blog popularity, so the curve will have to go upwards a little more before we reach the giddy heights of Boing Boing or Engadget, but what do they tell you about early colour systems, freemasonry lodges, digitised newspaper collections, silent film pianists, British film distributors of the 1890s, where to download books that tell you how to write silent screenplays, or how to participate in lost film festivals? This is the place to be.