Georges Méliès 1861-2011

Marie-Georges-Jean Méliès, the magician of early cinema, was born this day one hundred and fifty years ago. Though it seems to be pure coinicidence, his 150th year has been marked by a succession of notable Mélièsian events, culminating in the release this month of Martin Scorsese’s film Hugo, in which Méliès (played by Ben Kingsley) features as a leading character, and in which the production of Méliès’ films is lovingly created.

In celebration of the French master’s 150th, here is a set of links to the main DVDs, websites, publications and past Bioscope posts on Georges Méliès.

DVDs

Websites

Publications

Past Bioscope posts on Méliès

I’ve not provided any links to online videos, because we have a rule here at the Bioscope about not linking to films which have been ripped from DVDs, and practically every Méliès available on YouTube has indeed been ripped in this way. The films are in the public domain (though their new soundtracks are not), but it’s a shame to see, especially when the producers of such DVDs have gone to such trouble and expense to compile their productions in the first place. But for those who don’t know, don’t care, or who believe as a matter of principle that everything should be for free and online anyway, there is plenty to be found – and doubtless Georges would be thrilled that his productions continue to delight new generations.

Some of that delight is demonstrated by the many remakes of Méliès’s films or filming techniques that can be found online. It’s practically a genre in itself. So as a different sort of tribute we’ll show you one of these instead; most of them show more enthusiasm than skill, but I quite like this one for its simplicity and Mélièsian spirit:

And finally, a quotation, written by yours truly when reviewing the 5-DVD set back in 2008, which says all that I need to say on the matter.

Georges Méliès is confirmed here as among the pre-eminent artists of the cinema, perhaps the most exuberant of all filmmakers. The films display imagination, wit, ingenuity, grace, style, fun, invention, mischief, intelligence, anarchy, innocence, vision, satire, panache, beauty and longing, the poetry of the absurd. Starting out as extensions of the tricks that made up Méliès’ magic shows, to view them in chronological order as they are here is to see the cinema itself bursting out of its stage origins into a theatre of the mind, where anything becomes possible – a true voyage à travers l’impossible, to take the title of one of his best-known films. The best of them have not really dated at all, in that they have become timeless, and presumably (hopefully) always will be so. Méliès in his lifetime suffered the agony of seeing his style of filmming turn archaic as narrative style in the Griffith manner became dominant, but we can see now that is his work that has truly lasted. The films will always stand out as showing how motion pictures, when they first appeared, in a profound sense captured the imagination.

Bonne anniversaire, Georges.