The regional dimension in early cinema

Domitor logo

The theme and dates for the 10th Domitor conference have been anounced. The Regional Dimension in Early Cinema will take place 17-21 June 2008 at Perpignan, France and Girona, Spain (they say Catalonia). The notice on the Domitor site reads like a draft, but what they are looking for is described thus:

Possible contributions could deal with production modes, studies concerning distribution and exploitation in a micro-historical context, as well as studies on the representation of regional aspects in film. However, the regional dimension should be the major theme, and not a mere pretext.

The official languages will be English, French and Catalan. There’s a rough outline of the conference, which will be in Girona for the first three days before hopping across the border to Perpignan for the rest, but no call for papers as yet.

Domitor is an international organisation dedicated to the study of early cinema, defined as cinema in all its aspects to 1915. ‘Domitor’ was the name suggested to the Lumière brothers by their father Antoine to give to their invention, before they decided that Cinématographe sounded a little classier. Hard to imagine that we all might have ended up going to see the movies at the local domitor…

Also, Domitor has a yearly graduate student writing award (see link to Word document at the bottom of their page), for any subject on cinema before 1915, with a prize of $500. Fascinatingly, you don’t have to be a member of Domitor to submit an essay, but you do need to be a member if you want to collect your prize. The deadline is 1 August 2007.

The Projection Box Essay Awards

Early film and pre-cinema publishers The Projection Box have announced a new award for essays on projected and moving images to 1915. The aims of this award are to encourage new research and new thinking into any historical, artistic or technical aspect of projected and moving images up to 1915; and to promote engaging, accessible, and imaginative work. The first prize of £250 is for an essay of between 5,000 and 8,000 words (including notes).

The deadline for entries is 18 January 2008. The winning essay will also be published in an issue of Early Popular Visual Culture (Routledge). At the discretion of the judges, two runners-up will each receive books and CD-Roms of their choice (published by The Projection Box), to the value of £100.

The award is open to all. Although the judges welcome international submissions, all essays must be in English. Each applicant may submit up to two essays. Work must be the author’s own, and must not have been previously published. There is no time limit on when the work was originally written. Co-authored essays can be accepted. Authors are encouraged to provide appropriate accompanying illustrations, as the winning essay will be published in Early Popular Visual Culture, an illustrated journal. Permissions will need to be sought by the author before publication of the winning entry. Notes and references must be included. Read the guidelines for the required method for referencing your text.

For further information, visit www.pbawards.co.uk.

Award for Kevin Brownlow

The San Francisco International Film Festival is to present Kevin Brownlow with the Mel Novikoff Award. The award, named after the pioneering San Francisco film exhibitor (1922–1987), is bestowed annually on an individual or institution whose work has enhanced the filmgoing public’s knowledge and appreciation of world cinema. The award will be presented to Brownlow on Saturday 28 April at the Castro Theatre, together with a screening of his restoration of The Man in the Iron Mask (1929 d. Allan Dwan), starring Douglas Fairbanks.

The festival website has a fine tribute to Brownlow, ‘The Silent Spokesman’, giving an overview of his achievements in the promotion of the art of silent film, written by Dennis Doros of Milestone Films.