Paul Merton, a sign, and an orange
Another week has gone by, and silent films continues to make the headlines – almost literally so in the case of our first news story. Read on.
The continuing story of Zepped
Silent films made it through to the popular consciousness this week with the widely-publicised news of the upcoming (June 29th) auction of a curious 1916 film called Zepped (previously reported on by the Bioscope in detail). Amazingly the story made it to the main BBC news, plus a wide number of newspapers. The film, found on eBay, combines routine animation of the period with clips from Chaplin films. The ignorant claims being made in the press for what is a minor of work of passing interest to Chaplin experts and early animation buffs are frankly embarassing, though I dare say its owners will have the last laugh if they really do get the six-figure sum they are hoping for. Only if the figure includes pence, that’s what the Bioscope thinks… Read more.
However, another instance of the popularisation of silent films has been surprisingly successful. Paul Merton’s earlier programmes on silent film comedy have been a bit of a mixed bag – enthusiastic but muddled. Paul Merton’s Birth of Hollywood, however, started off rather well last week, with an opinionated but informative and generally disciplined account of Hollywood’s formative years. We have quite high hopes of this evening’s second episode, which covers the Fatty Arbuckle scandal. Read more.
We have already enthused about The Cine-Tourist, a website on the mysterious and poetic connection between films and maps. Just up on the site is a page on the use of map imagery in Napoléon vu par Abel Gance (1927). It’s an engrossing and illuminating piece of close visual analysis, warmly recommended. Read more.
The balancing bluebottle
Those in the UK might like to listen out on Radio 4 this Sunday at 13:30 for a repeat of The Balancing Bluebottle, the engaging programme from 2009 on naturalist filmmaker F. Percy Smith, one of the great obscure filmmaker of the silent era. It’s presented by the Science Museum’s Tim Boon and the Bioscope makes a brief appearance, interviewed in a windy corner of Leicester Square. Read more.
The Bray Animation Project
A fine new website has been published by Tom Stathes dedicated to research into the 1913-1927 output of American animation studio Bray, producers of such series as Colonel Heeza Liar, Happy Hooligan and Krazy Kat, and featuring the work of Pat Sullivan, Max Fleischer, Pat Sullivan and John Bray himself. There is a studio history, filmography, ample illustrations and a discussion board. Read more.
‘Til next time!