Series

This a guide to the various subject series on The Bioscope, with links to the individual posts.

The Bioscope Festival of Lost Films 2008
A virtual festival of films that are – so far as is known – no more

Day 1: A Study in Scarlet (1914) and The Great European War (1914)
Day 2: Ein Sommernachtstraum (1925) and Hamlet (1907)
Day 3: Human Wreckage (1923) and Dorian Gray (1913)
Day 4: The Mountain Eagle (1926) and Number 13 (1922)
Day 5: Drakula halála (1921) and Life Without Soul (1915)
Footnotes to the Festival

The Bioscope Festival of Lost Films 2009
More lost films

Day 1War Brides (1916) and Kiddies in the Ruins (1918)
Day 2The Land of Mystery (1920) and The Picture of Dorian Gray (1915)
Day 3The Jeffries-Sharkey Fight (1899) and The Battle of Jeffries and Sharkey for Championship of the World (1899)
Day 4Das Mirakel (1912) and Das Mirakel (1912)
Day 5 – With apologies…
Footnotes to the Festival

The Bioscope Guide to… [ongoing]
Reference guides to national cinema histories

China
Italy
South Africa

The Bioscope interviews … [ongoing]
Interviews with silent film experts

Matthew Solomon

Colourful stories [ongoing]
The history of colour cinematography in the silent era

Part 1: James Clerk Maxwell and the first colour photograph
Part 2: The Kromskop
Part 3: The first patent for colour cinematography, in 1897
Part 4: The Lee and Turner three-colour system, patented in 1899
Part 5: The Brighton School
Part 6: Inventing Kinemacolor
Part 7: Reviving Kinemacolor
Part 8: Hand-painted colour
Part 9: The Pathé stencil colour system
Part 10: First public exhibition of natural colour motion pictures
Part 11: Kinemacolor in America
Part 12: Tinting and toning
Part 13: The end of Kinemacolor
Part 14: Gaumont Chronochrome

From 1896 to 1926
The memoirs of British film distributor Edward G. Turner

Part 1: The first film shows
Part 2: Popular film titles of the 1890s
Part 3: Pitching the product to the working classes
Part 4: Exhibition in the 1890s and the Bazar de la charité fire
Part 5: LCC fire regulations and the cinematograph business
Part 6: The hiring business and establishing the Walturdaw name
Part 7: Developing fireproof equipment
Part 8: Flicker Alley and the rise of the exclusive film.
Part 9: Business during World War One and into the 1920s

How to Run a Picture Theatre
Extracts from a c.1912 guide to running your own cinema

Part 1: Location, location, location
Part 2: The building
Part 3: The lobby and the waiting room
Part 4: The auditorium
Part 5: The operating chamber and projectionist
Part 6: Staff
Part 7: Choosing the programme
Part 8: Obtaining a licence

Lives in film [ongoing]
How the motion picture recorded and influenced some notable individuals

No 1. Alfred Dreyfus: part 1 – the films of Georges Méliès; part 2 – the films of Biograph and Pathé; part 3 – filmography
No. 2 – T.E. Lawrence
No. 3 – Dan Leno
No. 4 – Jack Johnson
No. 5 – Niranjan Pal

Lost and found [ongoing]
Tales of discovery of lost films and film collections

No. 1: Joseph Joye
No. 2: The Dawson City collection
No. 3: The 4 Devils and Bardelys the Magnificent
No. 4: The Henville collection

Pen and pictures [ongoing]
Literary figures and their engagement with silent films

No. 1 – Thomas Hardy
No. 2 – The most popular authors, 1896-1915
No. 3 – J.M. Barrie
No. 4 – Evelyn Waugh
No. 5 – John Buchan
No. 6 – George Bernard Shaw
No. 7 – Leo Tolstoy
No. 8 – Arthur Conan Doyle + filmography
No. 9 – The cinema novel

Pordenone diary 2007
Reports on the 2007 Pordenone silent film festival

Day one: The Verdi and Dream Street
Day two: Starewitch, Clair and Wege Zu Kraft und Schönheit
Day three: D.W. Griffith and the death of cinema
Day four: Das Alte Gesetz and Annie Bos
Day five: Films from the Bible lands

Pordenone diary 2008
Reports on the 2008 Pordenone silent film festival

Day oneSparrows
Day twoSally of the Sawdust, His Nibs and the earthquake at Messina
Day three – Jacques Feyder and The Sorrows of Satan
Day four – Keystone, Dickson and Ed’s Co-ed
Day five – Griffith, The Watermelon Patch and Little Old New York
Day sixBardelys the Magnificent, Brighton and Laila
Day sevenLiving London, Alexander Shiryaev and Michael Nyman

Pordenone diary 2009
Reports on the 2009 Pordenone silent film festival

Day oneThe Merry Widow
Day twoDer Hund Von Baskerville, Ce Cochon De Morin, Daddy
Day threeThe Ten Commandments, Carmen
Day fourWenn Das Herz in Hass Ergluht, Dom Na Trubnoi
Day fiveA Canine Sherlock Holmes, Der Golem
Day sixThe Rose of Rhodesia, Justice d’Abord, A Scandal in Bohemia
Day sevenThe Wheels of Chance, J’Accuse, Ein Madel und Drei Clowns
Day eightThe Master of the House, The Final Problem

Pordenone diary 2010
Reports on the 2010 Pordenone silent film festival

Day oneJapanese Girls at the Harbour
Day twoSeven Seas, Rituaes e festas Bororo, Mutter Krausens Fahrt ins Glück, Drifters
Day threeLove Be With Humanity, The Masks of Mer, Le Miracle des Loups
Day fourSalt for Svanetia, A Thief Catcher, Upstream, Chess Fever
Day fiveBed and Sofa, Madagascan films of 1898, Marizza, Rien Que Les Heures
Day sixBlind Justice, Shingun, The Great Art of Light and Shadow
Day sevenWhy Do You Cry Youngsters?, Giuli, Corrick Collection, Robin Hood
Day eightYoung Master at University, The Ghost that Never Returns, Wings

Pordenone diary 2011
Reports on the 2011 Pordenone silent film festival

Day oneGantsirluni, Un Amore Selvaggio, Più che la morte
Day twoAsphalt, Mantrap, Die Sklavenkönigin
Day threeAmerikanka, Chyortovo Koleso, Japanese animation
Day fourThe Lady of the Dugout, Oblomok Imperii, La Voyage dans la lune, Shinel
Day fiveHintertreppe, The Force that through the Green Fire Fuels the Flower, The Circus, Khabarda
Day sixThe Great White Silence, Eliso, Fiaker Nr. 13, The Canadian
Day sevenCenere, Salomy Jane, The White Shadow
Day eightDas Spielzeug Von Paris, South, The Wind

Slapstick, European-style
The European slapstick comedians of the pre-World War One era, produced for a Slapstick Blog-a-thon

Part 1: Cretinetti, Max, Pimple and Rigadin
Part 2: Child comedians
Part 3: Checklist of other comedians
Part 4: Les Pouics comedy troupe

Video Jukebox
Background histories to selected films freely available online

No. 1The Battle of the Century (1921)

2 Responses

  1. Thanks for your wonderful review of the film I presented at Pordenone! I’m the one who brought “Ed’s Co-ed” to the festival, and introduced both screenings. If you know of any organizations that would be interested in pushing the University of Oregon to have Ed restored, please let me know – they aren’t disposed to listen to the opinions of an individual.

    Furthermore, I would love to get a screening of Ed this November, which marks the 80th anniversary of its premiere in Eugene. Any suggestions welcome!